The audio work "White China" (2008) by Timo Kahlen investigates the methods by which contemporary Chinese culture makes use of its own (and western) traditions and values. Recordings of his music are available on Blondena, Full Spectrum, and Quilt Records. Weathers tours regularly, and has performed across the United States, including at the Spark Festival (Minneapolis, MN), Signal Festival (Chapel Hill, NC) and the Open Ears Music Series (New Orleans, LA). My prize career there are Yokohama International Music Contest award and so on.Īndrew Weathers is a composer and performer based in Greensboro, North Carolina, where he studies composition at the University of North Carolina at Greensboro under Mark Engebretson and Alejandro Rutty. In the beginning of the interest for electronic music, it's an encounter with Ryuichi Sakamoto’s YMO. I am Japanese male and presently, in my 4th year at the Senzoku Gakuen College of Music where I'm studying composition and acoustics. I try to make a harmony between non-musical tone panning-sound and abstract musical tone to be concrete to let a work reflect the concept of this project. My work consists of two elements regular elements and unexpected elements. His web-based media and systems include the babelcast, telequalia, Post-Ut,, and. His research in generative music systems and computer-aided algorithmic composition is made available through the open-source, cross-platform software athenaCL. He has been the recipient of fellowships, awards, and commissions, and his compositions have been performed at numerous festivals and conferences. He has composed for digital media, theatre, film, concert hall, and interactive media, and performs live electronics with diverse ensembles. The title is taken from Allen Ginsberg's 1977 poem "Haunting Poe's Baltimore."Ĭhristopher Ariza is a composer and programmer of sonic structures and systems. Synthetic sound sources are generated and transformed with athenaCL, Csound, Max/MSP, and various other software and hardware. Independent lines shift between foreground and background through contour, hocket, and mixture. This work is an exploration in four-part polyphony. Recent performances of his music include New York City (New York City Electroacoustic Music Festival), Romeoville, Illinois (Electronic Music Midwest), Cleveland, Mississippi (Electroacoustic Juke Joint), Gainesville, Florida (Florida Electroacoustic Music Festival), Belgrade, Serbia (Art of Sounds Festival), and Santiago, Chile (Festival Ai-Maako). Matthew Dotson is currently pursuing a PhD in Composition at the University of Iowa where he has studied with Lawrence Fritts, John Eaton and David Gompper in addition to assisting in the operations of the Electronic Music Studios. The samples I utilized were determined by randomly selecting a date and then extracting a small motive from the composition of that particular day. “60 Morneaus” is a collage of 60 samples taken from David Morneau’s 60x365 project in which Morneau produced a new work every day for one full year. Halsey performs his music live with his band, aesthetic evidence, often collecting and incorporating audience member's voices into the performances in real-time. His work explores a balance of control between participants' input, algorithmic randomness and his own compositional decisions. Both his installations and musical performances make extensive use of spoken human voice recordings as musical elements, alongside traditional and electronic instruments. Halsey Burgund is a musician and sound artist living outside Boston. Sometimes you get lucky the first time around. The entire piece is built out of one spoken audio sample which was the first clip I recorded when I began composing for 60圆0. "I Don't Know" was composed using a custom built MaxMSP patch developed initially for my installation "Beat Vox".
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